I can’t cry for Mother anymore. I can’t remember her when she wasn’t this shell. I can’t remember her when she loved clothes and shopping, always kept chocolate somewhere, would go off with me if I needed a partner, was a natural engineer at repairing just about anything, loaned her money without a backward look to her loved ones.
She has a friend from forever. Their fathers were best friends. Nellie has always called Mom several times a year and always sent cards. She calls on Mom’s birthday, and this year, my mother can’t even parrot hello into the phone, doesn’t recognize what the phone is, or realize I am asking her to speak into it.
Nellie tells me she has breast cancer and that she is going to the doctor. Later I find out from her son she has 4 to 6 months and is refusing chemo. A fair choice, I think, cool in my analysis like autumn rain, and wishing my Mother’s end was as clear. I go about my day the day I learn the news, and I feel sadness gathering in some far distance in me. It’s pushing tears up. I sit in the car after some errand and weep for a long time. Hard tears. Ones that tear. For Nellie. For life. For its inevitable end. But also for Mom. Somehow I can weep for her through Nellie.
Posted in Before Versailles, books, character, Charles II, creativity, Dark Angels, Karleen Koen, life, Now Face to Face, Through A Glass Darkly, writing
Tagged Alzheimer's, friendship, mothers, writing process
I walk several blocks and cross the main road of Taos to go to the grocery store. From the parking lot, I can see the mountains rising up toward sky and a sunset. The sight of them makes me feel safe, in the presence of something large. How great that a grocery store has such a view, I think. On the way back, I meet one of my fellow artists here. We walk down our dirt road, and she stays to have a glass of wine. We sit on my little front porch. The evening is cool, though the day has been hot. We talk about Taos, the characters we’ve met, the friends we’re making, yoga, the art scene in LA and Santa Fe, the economy here, the drugs, the intricate culture of Hispanic, Anglo, and Native. We talk about God. Is there one? We drink wine and eat cheese and crackers, and the evening begins to darken around us. The hummingbirds who have commandeered the feeder buzz us every once in awhile. We hear the sounds of neighbors talking, pulling garbage cans to the curb because sound travels so far here. Night is upon us, and we part, and I walk into my casita feeling rich. I don’t sit on the porch and talk with neighbors in Houston. It’s too hot. We’re all too busy or have to catch the news. I don’t have news here, unless I summon it up on the radio or internet.
Have you ever lived some place slow and easy? That’s how it is here. My other life is on a shelf right now. I know this won’t last, that I’m in a bubble the artist’s residency has created for me. I’ll be picking my other life up soon, but it feels so good to be soothed by a slower pace and caressed by the sweet ending of a day.
Posted in character, creativity, Dark Angels, Houston, Karleen Koen, life, love, Now Face to Face, story and life, story and writing, theme, Through A Glass Darkly
Tagged friendship, getting away for awhile, Hispanic, Houston, mingling of cultures, Native American, slower pace, small towns, Taos, Taos Mountain