Category Archives: theme

merrychristmas

cropballChristmas is the time when we scurry home……actually or in memory.

And what is home? It’s where we come from, what we embrace or flee, what has shaped us. It can be safe, or it can be dysfunctional, but at Christmas, we’re drawn back. Why?

Is it yearning? Is it idealism? Is it instinctive, the way swallows return to Capistrano? Do we search for childhood innocence, for sweetness, for wonder? Do we find it?

I am growing to believe that what we find depends on what we’ve developed inside. It’s as deep as we are, as broad or as narrow, as hurt or as healed. Once upon a time, the tree with its bright, blinking lights was enough to soothe us. Promise was enough.

This season resurrects our lost child, and it seeks what was, but just as likely wasn’t. It seeks solace. It seeks affirmation. It seeks to be soothed. We want so to believe that promises do come true, that we are o.k., that we are worthy enough to receive love’s bright light.

May all your Christmases be white.

cropball

name game

Marquee was a word that came up at the Historical Novel Society Conference I attended in June. Should the main character be a marquee character or not….in other words, someone historically famous? Yes, seemed to be the consensus of New York (as in agents and editors). Philippa Gregory‘s best selling Tudor novels are the source of this.

I had just written a marquee novel, but not on purpose. I wrote it because it was what had to be written in the unfolding saga of the Tamworth family, this family who lives so strongly in my imagination, Barbara and Alice and Richard and Tony and others. Even though no Tamworths were in my marquee novel (there was a slight reference in the draft that was part of a larger scene I ended up cutting), Louis XIV had been brooding way in the background, waiting for me. Somehow, it had to do with this family, with the huge outside forces in their lives.

And now, as I walk carefully around the nesting egg of the next novel, it won’t have a marquee character carrying the story, though likely Louis* and Athenais and Louise will have their places in it. It will likely be similar to Dark Angels, fictional characters reacting to or intimate with actual historical figures. (I adored Charles Stuart and his wayward family. It was great fun to write about them all.)

I just believe in story. The story within drives me. What do you believe in? What makes a good story? A story you want to read? Should the main character be a name, if it’s historical? Why?

*More from my new favorite film Le Roi Danse….I love the actor who plays Louis…. 

human

I’ve spent the week being an 11-year old boy wandering through Shanghai separated from my parents as the Japanese invade and World War II begins in the Pacific. I’ve seen events no child should see, but often does, and I’ve retained a skewed innocence and sense of wonder in a world closed in and bearing its teeth to survive. There’s nothing like a really good book, is there? I picked up J.G. Ballard‘s Empire of the Sun, which had been sitting around for years on a shelf, and finally opened it. And there I was, so gripped by his story (mainly his own) and his writing style that all week long I had another place to live in my mind. It wasn’t a pretty place; people on the edge of survival and dealing with inhuman behavior don’t behave in heroic ways….though, again, some do. His story was so intense that I would have to pause between chapters and take a deep breath. And, of course, I’ve been mulling it over since I finished it, the way connoisseurs breathe in fine wine or brandy, thinking about war, about savagery, about what we will do to survive, about what I might do in a world gone mad, about why we say inhuman for cruel, unimaginable behavior when the behavior seems indeed a part of being human….and then going to walk outside to see two tiny rose blossoms opening in the soft, safe world in which I really reside….

(A little audio of the book by the delicious Jeremy Irons…..)

my work

I’ve been spiffing up the notebook I present as part of the basics-of-the-novel class I teach for continuing studies at Rice. Certain words, advice, sayings leap off the page to peck at me as I hunch over the computer redoing…..such as these words by poet Mary Oliver. They’re all writing is about….they’re all life is about, actually…..

My work is loving the world.

Here the sunflowers, there the hummingbird -equal seekers of sweetness.

Here the quickening yeast; there the blue plums.

Here the clam deep in the speckled sand.

Are my boots old? Is my coat torn?

Am I no longer young, and still not half-perfect? Let me

keep my mind on what matters,

which is my work

which is mostly standing still and learning to be astonished…………..

tuesdays

It’s our usual day. She dozes on the couch most of the morning. I dress her for our outing. She’s as fragile as cracked glass, gasping and moaning at the putting on of socks, befuddled at the pulling up of pants, completely lost at the pulling over of a shirt. She can still tie her shoes.

We go out for lunch. It’s what we do on the Tuesdays when I visit her. It’s also become one of the ways I most see her decline: the inability to choose a utensil, know what a straw is, cut her own food anymore. She jabs at what’s on the plate and then opens her mouth, and it is a gamble that the food gets there. She has no preferences about what to eat, though she won’t eat what she doesn’t like. She couldn’t tell me if she did have a preference. It’s been a year or more since she’s collected enough words together to make meaning.

She still laughs. She still smiles. She is still more beautiful than any woman her age. She is willing to do what I ask if she understands it. That’s where I fall down so often, thinking she’ll understand. I’m always exhausted by my lack of acceptance as to what has happened and is happening to her and by my expectations, always too high.

Later, I make dinner, keep an eye on her as she does her rounds, from hall to dining room to den and around again. She walks carefully, so carefully, often reaching out to the wall or a chair. She runs her foot along the creases of the joined tiles. She doesn’t step, she shuffles.

I put her in pjs early, sit in a rocking chair, emotionally battered by our day, by what I see. I always try to prepare myself. I remind myself of her decline, but I am never, never ready for it. And so my mood dips in the afternoon. I hate myself for its dipping.

Are you tired, I say, more to make conversation than anything else. So often there is silence between us. She can’t talk, and I seldom chatter, but chatter is what is needed these days, a light ongoing constant from the only one of us who can do so, but I’m bad at it. She looks at me. She answers with stunning clarity: You’ll never know how tired I am.

It’s the first sentence I’ve heard in over a year. And before I can even respond, she’s back to her shuffle through the hall, the dining room, the den.

I sit where I am in shock. Yes, everything is hard for her, isn’t it? Moving, dressing, eating, getting up and down from a chair, walking, recalling, associating, living. All hard now.

I must remember this, I tell myself. But I won’t. I’ll be as surprised and upset next week as I am this week. Later, I think of the poet Mary Oliver:

Wild Geese

You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting
over and over announcing your place
in the family of things.

 

The family of things….her place in it and mine, her despair and mine, her love and mine…………….

love

Dusting my office shelves, I found a relic of the past crumbling to pieces. It was a tiny clay Halloween pumpkin that my sister made for me when she was 5, and I was 18 and away in my first year of college. She had painted the little clay piece orange and its eyes and mouth green, but it had flattened on the bottom when it dried. She and I both had a hard time that year. She kept running away from her kindergarten class, running all the way home whenever she could. And if I could have run away home, I would have, but I didn’t have her certain, independent, little spirit. How difficult that year was, the first time away from home, few social skills, and certainly no flirting skills. I didn’t know how to fit in, and that’s what I wanted, to fit. What did my sister want? Not to fit? To go her own way? For the teacher not to scare her? Her year was just as hard for her.

The little relic was past repair. It crumbled away when I picked it up. I thought I’d kept it all these years because it was funny looking and dear that it had been given. Only as I write this do I realize the pure love it contained. Sweet, sweet little sister.

 

 

 

scribbles

Leafing through journals tonight to find something to put here…in this empty space I aim to fill each week.  I feel too dull to find fresh words, a concept behind them. I come across this from another January…………………

From a Story Circle conference, from Texas poet Lianne Mercer: a poem is a picture in your mind of a moment in your mind. Metaphor is implicit rather than explicit. Trust the process; your mind will hand you what you need. Be present at the page………………….

And from another entry, just a page futher, what I call scribbles—hurried writing to a prompt or because I see something I know I ought to put in words, and if I’m lucky, I do….

Clutter. Unraked leaves, old boards from Hurricane Rita’s threat…the back yard  a mess…overgrown, brown with fallen leaves. I go to my bench in the morning sun, sun filtered by the camphor tree that dominates the yard, making all under its great spreading limbs feeble and brown from lack of light and water. I’m moody, fractured inside, feeling without grace. And then I see one sulfur yellow daffodil’s trumpet thrusting out…the only one of its mates daring to bloom, a grace note, a horn blast, a call to me from the great unknown…here I am, always, pilgrim……….

paperwhite new year

I bought them late, in December, snuggled them among glass stones, poured in gin water. I didn’t expect them to bloom so quickly, for the stalks to shoot up so taut and green once the bulbs were fed, didn’t expect to see the blossom already swelling inside its green casing. Two of the groupings I made have opened into paperwhites, the small fragrant blossoms that are such a contrast to the brown bulb that begins and then feeds them. The paperwhites are in the dining room, kitchen, living room….taking the place of the Christmas decorations I’ve so firmly put away, before a stray sorrow from Christmas past can find me and puncture my carefully restored peace with the season. Somehow there is a metaphor to these paperwhites. Somehow their fresh promise of opening comforts me––I always miss the frolic and red of put-away Christmas. It’s a new year. Without my realizing it, I placed something in my new year life that is already blossoming. What hope for me. I no longer believe in the resolutions I used to make––too many of them broken. I know without a doubt a year may bring sorrow and challenge as well as joy. But I can watch the paperwhites open.  (I’m a sucker for blossoms….once I saw the paperwhites were going to take, I explored around to see what else was there. The Christmas cactus, always late, had budded tips, one or two grown to near blossom stage. And I opened the front door and saw a cameilla bud still tight and small, but its color showing––impossible that the many petaled beauty that will emerge can all be in that bud, but it is. And one rose on the climber offers butter yellow sweetness.)

It’s the promise in buds that I love so much….particularly if I know the flower that will unfurl. I wonder if God feels like that about us.

What’s your new year paperwhite?

senseless beauty

A friend sent a flash mob video of a group singing in a mall. Flash mob stuff usually makes me cry. It’s because of the expressions on the faces of the watchers: surprised and perplexed to begin and then a growing joyfulness as the performance continues and the watchers realize it is a performance. There is something about seeing performance live–music, singing, dancing, acting–that can’t be felt across TV or internet. It’s a special kind of energy, an immediate giving from the performers of their talents and an amazed receiving from the watchers. It reminds me of that saying that was all the rage a few years ago: practice random acts of kindness and senseless beauty. That’s what flash mob performance is to me: senseless beauty. In this busy, often manic world of ours where connections are done remotely, the immediacy of a flash mob performance is reflected on the watchers’ faces. Their faces reflect joy.

So, something for 2011: a revival of the practice of random acts of kindness and senseless beauty. And if you get a chance, join a flash mob! Why not?

The video my friend sent is in the hot words in this blog, as are some other flash mob performances. Joy to the world, all the boys and girls. Joy to the fishes in the deep blue sea. Joy to you and me.

page proofs

I just sent off page proofs to New York. This means that not another word of the book I’ve finished will be changed. I did something I didn’t expect. I took what I thought was some worldly wisdom out of the book, deleted it. When I wrote the worldly, warning words, I was adamant about keeping them in. I don’t like sticky sweet romances. I feel like they’re a lie. But in rereading the story again, I decided that I wasn’t being fair to the character, who couldn’t know what he would do in the years ahead, and that I was killing hope, that we begin everything with hope. Time or circumstances may change that, but hope is one of the most beautiful things in our lives. We’ve never dare to anything without it. So I dropped lines that were foreboding, showing what the future would hold. I decided they reflected my own cynicism. I don’t want to be a cynic. I want to keep  aspects of a child, but not deny the wisdom of my years.

What are you looking for when you read? An escape? Realism? Adventure? Why do we read fiction?